Cold Tone Spring

880 South

880 South

I was going to say that lately, photography has felt like a struggle. Then I remembered that it isn’t just lately that it has felt that way. Last year I was talking to photographer and lab owner Seth Dickerman about a little creative crisis I was going through. At the time, I was shooting a lot, pretty indiscriminately, in fact. He said to me, “Sometimes, the hardest part is figuring out what you’ve got. Take your time and look at what you have.” He was talking about editing. My struggle at the moment is with inspiration to shoot at all. In a way, the same advice applies. Even with a trickle coming in, there are still so many images to come back to, review, retouch, organize, and so on. Looking again at what you have can lead you to some ideas to develop further, and then off you go, shooting with a new focus.

As it turns out, I have several series I have started working on over the last couple years that remain unfinished. I could do with some more time spent organizing and editing, and post-processing. This led me to another little series: experimenting with a cold tone look on urban landscapes. It has a kind of nostalgic look, and almost a little corporate or government brochure feel in some cases, as in the image above, 880 South. This is just the start, so we’ll see how far I get and where it goes.

Three Along the 880

Three Along the 880

The W. T. Rawleigh Co.

The W. T. Rawleigh Co.